{{ 'fb_in_app_browser_popup.desc' | translate }} {{ 'fb_in_app_browser_popup.copy_link' | translate }}

{{ 'in_app_browser_popup.desc' | translate }}

目錄 購物車 {{currentCart.getItemCount()}}
Revue Faire n°37 — Critical distances

Revue Faire n°37 — Critical distances

Georges Nelson, concerns and warnings of a modernist

Catherine Geel
Empire
6 April 2022

NT$300
{{shoplineProductReview.avg_score}} {{'product.product_review.stars' | translate}} | {{shoplineProductReview.total}} {{'product.product_review.reviews' | translate}}
{{amazonProductReview.avg_rating}} {{'product.product_review.stars' | translate}} | {{amazonProductReview.total_comment_count}} {{'product.product_review.reviews' | translate}}
數量 組合數量
一次最大商品購買數量限制為 99999
該數量不適用，請填入有效的數量。
售完

商品存貨不足，未能加入購物車

您所填寫的商品數量超過庫存

{{'products.quick_cart.out_of_number_hint'| translate}}

{{'product.preorder_limit.hint'| translate}}

每筆訂單限購 {{ product.max_order_quantity }} 件

現庫存只剩下 {{ quantityOfStock }} 件

若想購買，請聯絡我們。

商品描述

Georges Nelson (1908-1986), an American functionalist designer with polished creations, but with complex textual and visual manifestations is a special case within American Modernism, as is hinted at by the titles of his designs: A Problem of Design:  How to Kill People, (1960), Requiem (1960) or Elegy in the Junk Yard (1961). 

Why then isn’t Nelson identified as a writer or critic, despite his considerable written output? *

* See the main collections of texts: Problem of Design (Whitney Publication, 1957) On Design (Whitney Publication, 1979). 

24 pages, 21 × 29,7 cm, CMYK + 1 PMS on cover

了解更多

相關產品