{{ 'fb_in_app_browser_popup.desc' | translate }} {{ 'fb_in_app_browser_popup.copy_link' | translate }}
{{ 'in_app_browser_popup.desc' | translate }}
{{word('consent_desc')}} {{word('read_more')}}
{{setting.description}}
{{ childProduct.title_translations | translateModel }}
{{ getChildVariationShorthand(childProduct.child_variation) }}
{{ getSelectedItemDetail(selectedChildProduct, item).childProductName }} x {{ selectedChildProduct.quantity || 1 }}
{{ getSelectedItemDetail(selectedChildProduct, item).childVariationName }}
Categories
Radim Peško, Jonathan Pierini (ed.)
Roma Publication
2024
Not enough stock.
Your item was not added to your cart.
Not enough stock.
Please adjust your quantity.
{{'products.quick_cart.out_of_number_hint'| translate}}
{{'product.preorder_limit.hint'| translate}}
Limit {{ product.max_order_quantity }} per order.
Only {{ quantityOfStock }} item(s) left.
Learning from the inscription in the courtyard of the Ducal Palace of Urbino, Radim Peško, Jonathan Pierini and the students from ISIA Urbino consider different approaches based on the original letterforms from the renaissance to experiment with technologies, to not only show the result of the fonts but to give context to its origins. This specimen also includes texts by Francesco Delrosso, Stuart Bertolotti Bailey, James Langdon, Daniele Bursich, Radim Peško and Jonathan Pierini.