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攝影之聲 Issue 15 : 影像的左邊 The Left Side of Images

攝影之聲 Issue 15 : 影像的左邊 The Left Side of Images

Voices of Photography 影言社


NT$390
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Description

In this issue of VOP, we explore the idea of photography as a channel of movement, focusing on the critical analysis of a particular point-of-view — the left wing — and its actualization and importance in the history of images.

The first question we raised is: are there “Leftist” and “Rightist” images? How can Leftist images be amongst the waves of global capitalism, which people center their opinions and survival on? If there are “Leftist” and “Rightist” images, what are Leftist images then? How are Leftist images established? As we examine this issue, many questions remain to be answered. As the world tilts to the Right, we question photography’s ability to revolt and its political impact. Through our articles in this issue, we seek for that elusive spirit that might still reside in some long forgotten corner, and uncover some traces left behind in our history that might give us a hint of the answers to our questions.

In this issue, Ho Ching-Tai’s White Terror Files calls out to the souls locked up during the period of martial law (also known as the White Terror period) and traces back to a time of darkness in the history of Taiwan; Lin Shen-Chin looks back on the ups and downs of the Left Wing movement in Taiwan, and the current developments of the Left Wing movement on the international stage; Chang Shih-Lun examines the realist photography movement in the 1980s, brought about by the Ren Jian magazine, and how the humanist compassion of the Left influenced Taiwanese documentary photography, and changes to the photography landscape in the post-Ren Jian era; Guan Xiao-Rong takes a look at what Left and Right mean in the context of photography, based on his own experiences in the photography field; Kuo Li-Hsin explores the Left Wing issues in Taiwan documentaries, and interviews Beijing Photography Institute’s Professor Zhang Xian-Min, examining modern Leftist documentaries in China’s context. Gu Zheng uncovers the production and ideology behind the Leftist images in China’s Cultural Revolution era, and gives an in-depth critique and analysis of the extreme Leftist visual propaganda during that period of time. Lee Wei-I seeks out a series of illustrated propaganda books published by the Left during the Hong Kong 1967 Leftist Riots and gives us a glimpse into one of the most turbulent periods of time in Hong Kong’s Leftist history. Kaneko Ryuichi offers some insights on Japan’s photographic resistance through a closer look at the new Leftist “Anti-Establishment” Movement of the 1960s. In this issue’s SHOUT, we recreate a proletariat propaganda publication Three Word Book by the Taiwan MOPR that was banned by the Japanese colonial government. A look at the mark left behind by the the Taiwan Communists.

In addition, we were very fortunate to have the rare opportunity to speak with the photographers of the 1968 Tokyo University Zenkyoto Protests, Kitai Kazuo and Watanabe Hitomi, who documented one of the most iconic student protests in Japan. We talked to them about their experiences and accounts of that turbulent era 50 years ago. This interview marked the first time that the two of them have shared their experiences as there were very few photographers who were allowed into the student body to document the movement.

This issue of Artist’s Showcase features a special interview with Chinese photographer Xu Yong, along with selections from his recently published works Negatives. After shooting the biggest democratic movement in the history of contemporary China, Beijing’s 1989 Tiananmen Square protests, Xu Yong has finally published these images this year in the form of negatives, where the passion on the Square is frozen in time. Even after 26 years, “June 4th“ is still a taboo in China. In this series of negatives, we search frame by frame for the positive images and the meaning of photography.

本期目錄 Contents

● 白色檔案
White Terror File
何經泰 Ho Ching-Tai

● 左翼的時態
The Tense of Left Wing
文|林深靖 Text by Lin Shen-Jing

● 「人間熱」與解嚴前後的台灣紀實攝影變貌:一個初探
A Preliminary Study on the Ren Jian Fever and the Changes in Taiwanese Documentary Photography Before and After the Martial Laws Period
文|張世倫 Text by Chang Shih-Lun

● 影像的左與右——從我的攝影工作與左翼認識談起
Images of the Left and the Right: About My Journey in Photography and Understanding of Leftists
文|關曉榮 Text by Guan Xiao-Rong

● 如何掀開被遮蔽的史觀與現實——試論台灣的「左翼」紀錄片
How To Uncover Hidden Facts and History: Thoughts on “Left Wing” Documentaries in Taiwan
文|郭力昕 Text by Kuo Li-Hsin

● 「左翼紀錄片」的中國語境
“Left Wing Documentaries” in the Chinese Context
郭力昕短訪張獻民 Kuo Li-Hsin’s Interview with Zhang Xian-Min

● 鬧革命!文革中的攝影
Revolution! Photography During Cultural Revolution
文|顧錚 Text by Gu Zheng

● 影像鬥爭:香港「六七暴動」與攝影畫刊
The Fight of Images: The 1967 Hong Kong Leftist Riots and Illustrated Propaganda Books
文|李威儀 Text by Lee Wei-I

● 抵抗!日本反體制攝影
Protest! Anti-Authority Images in Japan
文|金子隆一 Text by Kameko Ryuichi

● 過激時代:1960s日本學運闘爭現場之眼
Kageki: Into the Eye of the Japanese Radical Era
北井一夫╳渡邊眸 Kitai Kazuo╳Watanabe Hitomi

Artist’s Showcase

底片 Nagatives
徐勇 Xu Yong
訪談|李威儀 Interview by Lee Wei-I

● 何謂攝影?法國龐畢度中心攝影展
What Is Photography?
文|伊妮絲 Text by Agnès

Q

紐約攝影藝術書店Dashwood Books 專訪創辦人David Strettell
Interview with Dashwood Books / David Strettell
訪談|趙豫中 Interview by Chao Yu-Chung

● 路上的內心風景:五位台灣年輕攝影創作者的「大路上展」
Images of the Inner Journey: 5 Young Taiwanese Photographers’ “Road Show”
文|汪正翔 Text by Sean Wang

Photobook

另一種唯物史觀——《中國攝影書集》
Another Perspective of Historical Materialism: The Chinese Photobook
文|沈硯方 Text by Shen Yang-Fang

Photobook

直至今日的再現:《未有燭而後至》
Uncovered: Won’t Somebody Bring the Light
文|錢怡安 Text by Lili Chien

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